Hisory of Mexican Art Essay Example for Free

Hisory of Mexican Art Essay Mexico is known worldwide for its folk art traditions, mostly derived from the indigenous and Spanish crafts. The archeological setting in Teotihuacan is the largest in America and corresponds to a civilization that florished in the Valley of Mexico between the 200 B. C. and 250 A. D. The ruins show the remainders of a city built along the Alley of the Dead. Among its main buildings, the 5 levels 65 meters high Sun Pyramid and the smaller Moon Pyramid, with 4 levels. Ancient Aztec art was primarily a form of religious expression and a means for paying tribute to their gods. In addition, various forms of Aztec art were used to assist in communication. Pottery of all shapes and sizes depicted a variety of designs that were meaningful to the Aztec culture and religion. They typically were meant to depict or pay reverence to specific Aztec gods or to represent an Aztec tribe. In addition to the pottery made of clay, the Aztecs showed their deep religion through a variety of sculptures carved out of stone. In the 16th century, two cultures mixed: the native Mesoamerican cultures and the Spanish. This phenomenon lasted from the fall of the Aztec empire, in 1521, to the end of the Spanish domination, in 1821. Colorfully embroidered cotton garments, cotton or wool shawls and outer garments, and colorful baskets and rugs are seen everywhere. Between the Spanish conquest and the early Twentieth Century, Mexican fine arts were largely in imitation of European traditions. After the Mexican Revolution, a new generation of Mexican artists led a vibrant national movement that incorporated political, historic, and folk themes in their work. The painters Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros became world famous for their grand scale murals, often displaying clear social messages. Rufino Tamayo and Frida Kahlo produced more personal works with abstract elements. The literature of Mexico originated from the concepts of the American and Spanish settlements of Mesoamerica. Outstanding colonial writers and poets include Juan Ruiz de Alarcon and Juana Ines de la Cruz. Folk dances are regarded to be one of the most important features of Mexican culture.

Character Manipulation in The Rise of Silas Lapham Essay -- Rise Silas

Character Manipulation in Howells' The Rise of Silas Lapham  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚      Of all the characters who undergo change in The Rise of Silas Lapham, Lapham's change is the only one looked upon in a positive light by the narrator. William Dean Howells uses the corruption of other characters to promote Lapham's newfound morality and reinforce his ultimate triumph. Before Lapham's financial ruin, he is the only character with fault. Yet as his world crumbles, so does the credibility and innocence of his wife, two daughters, and former partner, Mr. Rogers. At the same time, the very catalyst of Lapham's ruin exonerates him. This allows Howells to reinforce Lapham's ultimate rise in the novel, despite his financial and social failures.    While Silas Lapham's character shines of perfect success in the book's opening interview, we soon learn of the fault that will lead to his ruin. In a time when his company needed help, Lapham used Mr. Rogers for his capital, then pushed him out of the company once back on his feet. Mrs. Lapham holds the strongest position towards Silas' treatment of Mr. Rogers: "No; you had better face the truth, Silas. It was no chance at all. You crowded him out. A man that had saved you! No, you had got greedy, Silas. You had made your paint your god, and you couldn't bear to let anybody else share in its blessings."(45) She believes that his treatment of Rogers is the only fault in his character, and is satisfied when he finally makes good on it by lending money to Rogers when asked. Despite his efforts to resolve the matter, Lapham refuses to admit his guilt. But the narrator tells us he is guilty*, and Silas admits feeling relieved after working it out: "'Well, I don't know when it's done me so much ... ...ng Lapham's upward motion cannot be accidental. Lapham needed his wife to nag at him about Rogers, and needed Rogers to be a "rascal" to start the events which lead to his rise. Lapham needed his daughters' distraction to ensure his lack of support and need for complete self-sufficiency during his hardships, as well as its incorporation of the Corey family to justify his involvement and failure with "society." Howells creates a plot in which Lapham figuratively steps on the other characters in order to rise.    Works Cited and Consulted Carter, Everett. Howells and the Age of Realism. Hamden, Conn.: Arcton Books, 1966 Howells, William Dean. The Rise of Silas Lapham. 1885. Harmondsworth: Penguin, 1988 Van Wyck, Brooks. Howells His Life and World. Dutton, 1959. Wagenknecht, Edward. W.D. Howells The Friendly Eye. New York: Oxford University Press, 1969

Commercial Life in Pompeii

Commercial Life in Pompeii and Herculaneum Historians have debated the nature of Pompeian economy – whether it was based on agriculture or trade. Some see the Roman empire in modern terms as one vast single market where demand drove up prices and productivity stimulated trade to a never before seen level (residue of pollution can be found in Greenland’s ice-cap and the many ship wrecks indicating the large volume of sea borne traffic).Other historians see Roman economy as ‘primitive’ based primarily on agriculture and the main aim of any community was to feed itself, with trade as the icing on the cake (based on the risky and costly sea travel, lack of banking system, social mores for respectability being against trade and laws forbidding senators and their sons from owning trade ships) (Beard pp. 152-3)[i]. More likely it was a combination of the two scenarios. Pompeii, unlike the quieter fishing/resort town of Herculaneum, can be seen to be a bustling com mercial centre, a town where making a profit and accumulating wealth was regarded as being favoured by the gods.This picture is based on evidence such as: * High number of privately owned shops, workshops, bars and inns, about 600 excavated * The markets around the Forum * The epigraphic (written) evidence of the guilds of tradesmen and retailers * The roughly 20 maritime warehouses & buildings lined with wine jars * Paintings of cargo boats on the Sarno River and porters carrying products to be loaded onto vessels * Trade signs advertise goods and services * Inscriptions on walls and floors on the benefits of making profit, eg. welcome gain† in the impluvium of the house of a carpenter * Images of Mercury, the God of commerce displayed The economies of Vesuvian towns were based on agricultural production (grain, grapes, olives and sheep) and fishing. The wealthiest families owned large houses in the city and also estates in the country side which were run and worked by fr eedmen and slaves . There were numerous medium-sized farms and villa rusticae as well as market gardens inside the walls of Pompeii occupying 10% of the town so far) that provided daily needs (wine, oil, cereals, fruit, vegetables, meat and wool). The fishing fleets of Herculaneum were large (based on the volume of fishing nets, hooks etc found) and supplied fresh seafood and the garum industry. These industries would’ve needed subsidiary industries too, such as pottery that was needed for the storage and export of products. From the evidence found in the Pompeii there were 50 occupations other than farming ii].There is a good argument to be made for the fact that Pompeii would’ve had enough surplus product for export – ancient writers associated the area with wine, as well as onions and cabbage. Also, numerous pottery jars have been found far from Pompeii, such as off the coast of Cannes (in France) stamped with the name Lasius an Oscan name with well-known mem bers of the family from Pompeii; wine jars stamped with the name Eumachus have been found in Carthage, Spain and France. Inside Pompeian houses jars have been found stamped with their origins (perhaps ready for distribution or sale) such as Spain, Crete and Rhodes.Microscopic analysis of containers in Pompeii has shown evidences of spices (such as pepper and cumin) as well as Egyptian glassware and Gallic bowls and pottery lamps (90 and 40 respectively still packed in their crates). Thus Beard reasons that â€Å"however small by comparison with the great trading centres of Puteoli or Rome, Pompeii’s port must’ve been a thriving, international and multilingual little place. † (Beard p. 162) Villa rustica in Boscoreale | Drawing of an olive press, for first pressing| Wine press, from Herculaneum| Wine and oil industries:Wine and oil were the main sources of income for people in the Vesuvian area, though only wealthy landowners could afford the outlay needed to set up and maintain these industries as the oil presses were costly and the long wait between planting and harvest. Large quantities of wine don’t appear to have been stored in bars or even inside the city, but brought in from the villas when needed which were stored large dolia â€Å"completely or partially buried in the ground thus protecting them from the weather† according to Pliny (Natural History 14). At the Villa of Pisanella at Boscoreale there was an nternal courtyard with 120 dolia that could hold up to 50,000 litres of wine which was transported in leather wineskins and decanted into amphorae for storage or serving in the thermopolia. Advertisements show there were a wide variety of types and vintages of wine on sale, Pliny said that Vesuvian wines were â€Å"injurious because of the hangover they cause, which persists until noon the following day. † The same estates also produced olive oil which was used for a variety of uses including cooking, lighting , washing and the production of perfume.Most of the pressing was done on estates in a two-step process – rubbing the olives to remove the skin and pips and then pressing them in the same press as used for wine to extract the oil. The manufacture of Garum:Pompeii was renowned for its garum, a fish sauce which was one of the main condiments used for flavouring Roman food. There were various types and qualities made from the guts and left overs of fish (such as red mullet, tuna, mackerel, sardines and anchovies) which was salted and left to ferment for a month.There is no evidence of equipment needed for production within the city itself, only dolia for distribution have been found (based on the small bones found at the bottom). The wealthiest families had a monopoly on the manufacture of garum and then sold it to street retailers or prepared it for export. | Garum jar in mosaic from the villa of Aulus Umbricius Scaurus, Pompeii, an ‘advertisement’ on the floor of h is atrium. | Cloth manufacture and treatment:Wool was the basis for one of the most important industries in Pompeii – the washing and dyeing of wool and the manufacture of cloth, as well as the laundering, bleaching and re-colouring of clothes. The raw wool was first degreased by boiling in leaden boilers, then once it was carded it was sent to spinners and weavers in private homes or shops and then it was coloured (often in bright colours such as purple and saffron) before distribution to cloth merchants. There have been 18 fullonicae (laundries) found in Pompeii and are identified by the series of interconnected basins or tanks with built in steps for washing and rinsing.Workers trod the cloth in a mixture of potash, carbonate of soda and urine (collected in jugs from the inhabitants of the town! ). Four fulleries were large and the rest have been found as part of private homes. The Fuller’s guild may have been a powerful organisation within the city. Fullery of Step hanus| Brushing the nap| Fullers standing in vats| An advertisement for the Fullonica of Stephani – cloth press| Fresco from the fullonica (fuller's shop) of Veranius Hypsaeus in Pompeii| Pistrina (Bakeries)There have been more than 30 pistrina found in Pompeii easily identified by their mills and ovens, some bakeries did the whole process from milling the grain whilst others prepared loaves from ready prepared flour. Lava stone mills were turned by donkeys and the flour collected at the bottom. The flour was then kneaded at a table, shaped into circles, scored into wedges and baked in a stone oven. In Herculaneum a baker known as Sextus Patulcus Felix appears have specialised in cakes as 25 bronze pans of various sizes from 10 to 25 cm diameter were found.In the Bakery of the Chaste Lovers there is a two roomed shop, a bakery with large oven (that had a large repaired crack, and smaller newer cracks), four mills (though only one was operational at the time of eruption) and a dining room (a very large triclunium). The remains of seven donkeys in their stables were found which suggests that bread was also delivered. The large number of animals (who were expensive to keep) also indicates that the owners of the bakery had intention of returning it to full operating output (Beard pp. 174-7).Bakery of Modesto, Pompeii, where 81 loaves were found still ‘baking’ in the oven! |   | Tabernae (Shops) Tabernae are usually translated as shops or workshops and they are found along main roads along the street front with wide open fronts that were part of insulae and integrated into the town rather than in ‘commercial zones’ as in modern town planning. Owners would live above the shop, called cenacula, accessed by stairs. An example is Insula Arriana Polliana – the white sections are an elite residence whilst the grey sections are shops (eg. 1-3 ;amp; 2-4), domus (eg. 7, 9 ;amp;10) and upper floor apartments (accessed at 18, 19, 6, 8 ;amp; 10a) available for rent. About 200 public eating and drinking places have been identified in Pompeii identified by their open fronts and the counters with dolia set into them. Though there was no ‘zoning’, there is a cluster of shops at three of the gates into the city (northern entrance of the Herculaneum Gate, to the south the Vesuvius ;amp; Stabian Gates) as well as on a 600m stretch of the Via dell’ Abbondanza.Shop and workshop owners advertised their businesses with painted signs or painting on the outside of walls. Inns and bars did continue service into the night with lamps as lighting but there is also the evidence of the wood shutters put in place for when shops did close. One of the largest tabernae found at Herculaneum opposite the Palestra had two entrances and had eight large jars set into the counter, other amphorae that may have been used for oil or sauce and a stove behind the counter that had terracotta casseroles warming over a charcoal f ire.One wine bar or tavern on Via dell’ Abbondanza in Pompeii was owned by a woman named Asellina who employed foreign waitresses named Zmyrina, Maria and Aegle (some believe they are prostitutes) has sums showing customers’ debts written on the insides of the walls of her inn and on the outside there are political slogans which may reveal her interest in politics or an ancient version of a slur campaign against a candidate. The walls of Pompeii’s inns also provide evidence for what activities occurred there, one painting shows customers seated below hanging hams and sausages, a sign reads â€Å"if you’re going to fight, get out! ; while the bill for one customer ambiguously lists the cost of a girl, bed and fodder for his mule (Butterworth ;amp; Laurence p. 280)[iii]. There were also hotels where visitors to Pompeii could rent a room, either close to the port or clustered around the northern and southern Gates. One building named Hotel of the Muses on t he banks of the Sarno River had a small jetty, 8 triclinia with brilliant frescoes and a large kitchen that is estimated could feed 50 guests. Other Industries:In Pompeii there is evidence of workshops of carpenters, plumbers, wheelwrights, tanners, tinkers, ironmongers, gold/ silver/bronze/coppersmiths, marble-workers, stonemasons, gem-cutters and glassmakers, tanneries, cobblers, painters and weavers. Many of these industries seem to have been conducted from a room in the home (based on finds of tools) or on the streets (based on paintings of street life). Metal working seems to have been big business in Pompeii as there is a profusion of metal implements all over the town.A few small workshops and retail outlets have been found, however only one forge has been uncovered so far, just outside the Vesuvian Gate. Historians also do not know where the raw materials came from. Pottery also must have been a large industry as so many activities required pottery vessels, though only two s mall potters’ premises (one of which was a specialist lamp maker) have been found within the walls. Perhaps the fire hazards of metal work and firing pottery meant that they had workshops outside the town.One luxury industry was perfume production – a combination of olive oil and flowers or spices. There are large gardens (for example the Garden of the Fugitives and the Garden of Hercules) that some historians believe to be for the growing of flowers for perfume and fragments of small terracotta and glass containers found there. Wall paintings in the House of the Vetti portray olives and flowers being pressed to extract the oil in wooden mills; another scene shows a woman seated with her feet on a cushion as sales assistants dab perfumes on her hand from a selection on display in a tiered cabinet. Butterworth ;amp; Laurence p. 272) Bronze oil lamp of the god Priapus, from Pompeii| Blue glassware from Pompeii| Replica oil lamp, Pompeii| Silver vessels from Pompeii| Word Bank: Forum, industries, main, foreign, noon, only, seafood, expensive, hazards, guests, open, tanks, olives, from, uncovered, street, god, eating, delivered, urine, room, full, traffic, easily, guts, Sarno, export, lamps, high, stone, slogans, plumbers, serving, in, economy, spices, cloth, two, lass, painted, lighting, advertising, slaves, one, packed, lived, bones, display, behind, flowers, boiling, hooks, gates, luxury, loaves, prices, feed, debts, trade, integrated, repaired, combination, estates, counters, sauce, donkeys, within, powerful, vegetables, month, far, large, sausages, farming, dolia, wealth, jars, harvest, purple, jars, business [i] Beard, Pompeii – Life of a Roman town London, Profile Books, 2008 [ii] Bradley Cities of Vesuvius – Pompeii and Herculaneum Cambridge Uni Press, Melbourne, 2006, Chapter 6 [iii] Butterworth ;amp; Laurence Pompeii – The Living City London, Orion Publishing Group, 2006

Pakistan Case Study Research Paper Essay

The subordination of women is a prevalent issue in many middle-eastern cultures today. The absence of women in the labor force, community and decision making positions in these middle eastern societies is a detrimental drag on their economic and environmental welfare. Longstanding beliefs and traditions in the muslim culture are geared toward oppression of women and minimal civil rights. Such traditions have held these countries back from keeping up with progressive countries around the globe. Saima Muhammad, a young woman featured in Half the Sky lives in the outskirts of Lahore, Pakistan, a country which epitomizes this previously mentioned gender disparity. Gender disparity was a formidable obstacle for Saima in her goal to pay off her husband’s three thousand dollar debt. When Saima would simply take the public bus to a local marketplace in order to sell goods for her family, she was scorned by her neighbors as a loose woman. Loose women contradicted these middle-eastern values, also making life much harder for them. Saima’s house was falling apart to the point where she was forced to send her daughter to her aunt’s house just for safety. Amidst these changes, Saima was constantly beaten by her husband out of pure frustration. Following the birth of Saima’s second girl, Saima’s mother-in-law suggested her husband find somebody else to marry because she wasn’t going to have a boy. These are just a few examples of the environment that Pakistani women, or women in the muslim culture are forced to live in. Widespread poverty in Pakistan was a driving factor in Saima’s financial inability to maintain her house. Such a debt left by her husband was more of a hardship in these impoverished countries than anywhere else. This is because the means of acquiring goods to start a business are scarce due to minimal economic activity. This economic activity being primarily dominated by men is also considerably unfavorable to women, this is to be examined later on. One obvious result of widespread poverty is a drought of capital. Lack of capital was one of the most detrimental characteristics of her impoverished country. With entrepreneurial spirits, Saima needed financing if she was going to support her family. the Kashf foundation made this possible by lending Saima small amounts of money at a time. Demand for saima’s bracelets were exceeding supply. Following her entrepreneurial successes, she was met with respect from friends and family. Saima’s story is unfortunately a rare one. With gender disparity existing in a structural and foundational form, most women of Pakistan and other middle-eastern countries don’t get the opportunity to work outside of their house. Exploitation of women in Pakistan often occurs in many different forms through human rights, education, labor and many other life necessities. Due to longstanding beliefs in this culture, women are responsible for strictly household maintenance. When women are working actual jobs within agriculture or other fields, they are often exploited. Female has always been accompanying male participation within the rural agriculture sector, strictly short-term work available at the time of implant and yield of crops. In Pakistan’s case, women in rural areas are primarily unpaid workers. Women now participate in the political sector but are restricted from any high authority positions in politics due to their low literacy rate which is a result of their subordination. (ESWP) The exploitation of women for free labor, in addition to the restriction of any access to high positions or the decision-making positions is an example of gender disparity in the labor force. The dominance of men in all decision-making positions includes the allocation of natural resources. Women have shown through their agricultural work that they are capable of caring for crops and the environment in a sustainable fashion but they aren’t given the opportunity. The methods of which the men of pakistan have decided are appropriate for their country include overgrazing. With a cow population that is higher than that of its people, resources are diminished through this exploitation. When there is drought along with over-exploitation, it results in poverty. Poverty in turn leads to overexploitation which worsens the problem of desertification, It is a vicious cycle. (Voice of America News) This environmental exploitation is arguably a result of the dominance of men throughout decision-making positions, and the lack of interactive opportunities given to women. Women’s roles in the awareness and education of environmental dangers throughout Pakistan are rare. This is partially a result of an enormous lack of women’s education investments. Increasing women in the workforce is a challenge as well as an opportunity for Pakistan to develop as a country. Clearly Pakistan’s low rate of female literacy is an obstacle to increasing female workforce participation. As education levels rise, labor force participation must also rise for Pakistan to capture fully its return on investment in girls education. (Coleman Pg.1) How can a Pakistani Woman teach her country about their environment, when their country doesn’t teach them how to read? Lack of women’s education throughout these cultures is detrimental to the future of their own economy and environment. With limited opportunities for women, it becomes difficult to enlighten your community about the environment when they won’t listen to you. Opportunities have recently arisen for women in Pakistan in terms of work. These opportunities are aimed to give women in Pakistan a voice, literally. The report is aimed at creating awareness among media managers and working journalists about the importance of women’s role in the media and radio stations in Pakistan essentially giving women a voice which could be seen as a big step for their country.(BBC) This recent opportunity for women could be the next step towards voicing their opinion about environmental matters and having a role in the decisions of society. The environmental health of Pakistan is among the worst in the entire world as a result of ignorant methods of waste disposal and poor allocation of resources. The exploitation of resources has led to deforestation, desertification, and drought. The careless disposal of waste resulted in air pollution, gas emissions, toxic fertilizers, and borderline poisonous water. Pakistan’s environment is in ruins. The mayor of Karachi, Pakistan’s largest city, recently announced the city’s water and sewer system on the brink of collapse. Air pollution here as well as in other Pakistani cities is estimated to be 20 times higher than World Health Organization standards consider to be average. The country’s percentage of forested land is among the lowest in the world, and the rate at which it is disappearing among the highest. (Kambler Pg.1) The men in control of environmental operations, operate quite unfavorably towards women. The health of women and children are neglected in most development programs involving the widespread distribution of pesticides or fertilizers. Users are not alerted about the mandatory safety precautions, there is now enough evidence to show that peasant and other poor women share the experience of living in an ever degrading environment. (RCOWE) women naturally possess a more caring and conservative nature of work and it’s shown through their duty in agriculture. The Sindh Rural Women’s Uplift Group helped Pakistani women by allowing ten to fifteen on the farm at a time, under the guidance of female farm supervisors. Paying them the same wages as men and giving them the same responsibilities as men, there was an opportunity for comparison. The women’s agricultural output was greater than that of men’s, women also had an advantage in Mowing, Grasses for mulch, collecting farm leaves etc. Essentially, the policy instrument of which is being implemented in this situation can be seen as charity or gender equality. Charity is what the Sindh Rural Women’s Uplift Group is doing by giving these women an opportunity to be involved . Gender Equality is shown in the allocation of resources towards women for once instead of being put under the control of Pakistani men. The policy instrument of gender equality could be implemented towards economic development whether they sound related or not. In pakistan’s case, gender equality would result in an efficient allocation of resources through the implementation of females in authoritative environmental positions. The allocation of resources is better left in the hands of women for the good of the economy. Gender equity can be a determinant of just distribution of resources and income by allowing the female population of pakistan to rise to autonomy level, for once in history evenly distributing resources and income among women and men. An ecologically sustainable scale of the economy would come in time with the progression of women’s authoritative roles in not only agricultural or environmentally based occupancies, but half of Pakistan’s economy. Works Cited Council on Foreign Relations. (n.d.). Council on Foreign Relations. Retrieved from http://www.cfr.org/asia/gender-disparities-economic-growth-islamization-pakistan/p7217 Full Text Electronic Journal List. (2012, November 11). Full Text Electronic Journal List. Retrieved from http://db6fj4sr6x.search.serialssolutions.com/?ctx_ver=Z39.88-2004 Kambler, M. (2001, November 27). Pakistan’s Environmental Nightmare. – Page 1. Retrieved November 11, 2012, from http://www.villagevoice.com/2001-11-27/news/pakistan-s-environmental-nightmare/ M. (2012). Employment situation of women in Pakistan. ProQuest. Retrieved November 11, 2012, from http://search.proquest.com/docview/821115923 anhwar, F. (1998, June 15). WOMEN AND ORGANIC AGRICULTURE IN PAKISTAN. World Conference on Horticultural Research. Retrieved November 11, 2012, from http://www.agrsci.unibo.it/wchr/wc5/panhwar.html 2 The regional conference on women and environment. (n.d.). Embracing the Earth. Retrieved November 11, 2012, from http://www.fao.org/docrep/X0173E/x0173e03.htm V. (2006, July 31). Pakistan Combats Growing Environmental Menace. ProQuest. Retrieved November 11, 2012, from http://search.proquest.com/docview/190519623

The Worlds First Monster. The Ripper Professor Ramos Blog

The Worlds First Monster. The Ripper How do we decide what’s a monster? The actions they commit, their appearance, or the overall fear they inflict on us. The monsters we know that are fictional that we hear in stories are those monsters the ones we actually fear or is it the monsters that are real life people that commit disturbing, psychopathic acts of crime. I feel Jack the Ripper fills this monster role a person that was never identified in 1888 East London killing five women in butcher like fashion from August 7 1888 to September of 1888 then ended in the fall of the same year he left people I horror. Jack the Ripper was a real person a real monster that actually existed and left an impact on history. Thesis II: The Monster Always Escapes â€Å"we see the damage that the monster wreaks,the material remains (the footprints of the yeti across Tibetan snow, the bones of the giant stranded on a rocky cliff), but the monster itself turns immaterial and vanishes, to reappear someplace else (for who is the yeti if not the medieval wild man?†(Cohen 3) Jack the Ripper killed five women and was never caught leaving the crimes unsolved with the killer’s identity a mystery. Jack the Ripper’s killings were recorded from August 7 1888 to September 11 1888 then suddenly stopped in fall of that same year adding more to the Thesis that the monster always escapes. The 1988 film â€Å"Jack the Ripper† showed a decent representation of the criminal but did have its flaws the film didn’t show the victims after they were â€Å"killed† they just stated that they were killed. That takes away the effect Jack the Ripper had on Whitecapel the bodies Jack the Ripper left were horrific to look at and people were left in terror that a person like that was capable of psychotic killing methods. The film didn’t tell the real story in the film detective Abberline couldn’t catch the killer the entire film until he got leads he needed and testimonies. That ultimately helped him catch the killer which was the deranged doctor and during the detainment of the doctor he was injured so badly he was going to die so the commission ordered Abberline to keep Jack the Ripper’s identity a secret. This isn’t a good representation of the real life killer he was never caught the identity of Jack the Ripper is still unknown which makes the killer scary because nobody knows anything about the killer especially the police. Jack the Ripper sent the police letters telling them he was going to kill again each of the five murders were within a mile of each other these murders were planned out and the police were even informed and they still couldn’t stop the murders from happening. Jack the Ripper was pure evil a monster that the world never seen before and was putting fear into everyone. According to Monster Culture (Seven thesis) Thesis IV: The Monster Dwells at the Gates of Difference â€Å"any kind of alterity can be inscribed across (constructed through) the monstrous body, but for the most part monstrous difference tends to be cultural, political, racial, economic, sexual). (Cohen 7) Jack the Ripper applies to this theory because Jack the Ripper caused a culture shock throughout Whitechapal, East London he/she was no ordinary killer this person was sociopathic and was the world’s first serial killer but the condition the bodies were left in is what scared people the most the victims organs and limbs being removed cut up into several pieces. Also the letters Jack the Ripper sent police taunting them telling them about how there was going to be another murder and they couldn’t do anything about it. Jack the Ripper also goes with monster Thesis V: The Monster Polices the Borders of the Possible â€Å"from its position at the limits of knowing, the monster stands as a warning against the exploration of its uncertain demesnes. The giants of Patagonia, the dragons of the Orient, and the dinosaurs of Jurassic Park together declare that curiosity is more often punished than rewarded, that one is better off safely contained within one’s own domestic sphere than abroad, away from the watchful eye of the state.† (Cohen 12) The monster Jack the Ripper is at that border of exploration that we are terrified of the victims he mutilated and butchered was on another level of killing that the world had never seen up to that point Jack the Ripper is the ideal monster he fits multiple criteria of what we define as a monster they fear he put on the small town of Whitecapel, East London was the world’s first real killer. He was never caught or even identified for the murders he committed and even to this day is talked about as one of the world’s most infamous criminals in history the way he taunted the police with letters telling them he was going to murder again and the state of all his victims was a horrifying site. His murders were from August to September and the police never found any evidence of the killers identify or whereabouts. Jack the Ripper was a real life monster unlike the fictional monsters we all know in literature but Jack the Ripper left his mark on the world this the disturbing, psychotic ways of killing and taunting the police. No monster of fiction compares to the real life threat that was Jack the Ripper a killer with five deaths to his name and not being caught or even any lead on who he was just theories and mysteries are all that remain of the terror that was Jack the Ripper. Works Cited Monster Culture (Seven Theses) Jeffery Jerome Cohen â€Å"Jack the Ripper† 1988 Film directed by David Wickes Sugden, Philip the Complete History of Jack the Ripper AE TV Networks June 7, 2019 Walkowitz, Judith Feminist Studies, Vol. 8, No. 3 (Autumn 1982), pp. 542-574 Feminist Studies, Inc. Jack the Ripper and the Myth of Male Violence

The Good Times are Killing Me

The Good Times are Killing Me If you are looking for a compelling play for a young mixed-race cast, you may want to take a look at The Good Times are Killing Me by Lynda Barry. This play, published in 1993, offers two strong female roles in which teenagers can play teenagers  and a multiplicity of issues to discuss with cast and crew during rehearsals and with audiences in talkbacks. Format This is a two-act play, but it is unusual in that it is comprised of 36 short scenes or vignettes- 26 in Act One and 10 in Act 2. The story is adolescent Edna Arkins’s story. She is the main character and she appears in every scene; she breaks the fourth wall and speaks to the audience before, during, and after interacting with the other characters. Each vignette has a title like RECORD PLAYER NIGHT CLUB or BEST FRIENDS that communicates the essence of the scene. The scenes- some only a half page long, some three pages long- reveal the story of friendship between two adolescent girls- one white and one black- in mid-1960s America. One vignette flows into the next creating a collection of scenes that reveal the difficulties of coming of age in the midst of family heartaches, personal growing pains, and racial prejudices. Cast Size There are roles for 16 females and 8 males. Broken down by race, the play calls for 10 white females and 6 black females, and 3 white males and 5 black males. Doubling in roles is possible, resulting in an overall minimal cast size of 16. Roles Edna Arkins: A white 12-13 year-old girl who lives with her family in a house on a city street that has slowly become integrated Lucy Arkins: Edna’s younger sister Edna’s Parents and Extended Family: Mom, Dad, Uncle Don, Aunt Margaret, Cousin Steve, and Cousin Ellen Bonna Willis: A black 12-13 year-old girl who recently moved into Edna’s neighborhood Bonna’s Parents and Extended Family: Mom, Dad, younger brother Elvin, and Aunt Martha Recurring Minor Roles: Two black teenagers named Earl and Bonita, and Cousin Ellen’s friend Sharon Ensemble: There are multiple scenes that would be enhanced by friends, neighbors, classmates, and other people. There are also several small roles- a teacher, a mother, a pastor, a Girl Scout leader and her daughter. Set and Costumes Most action occurs on the porches, street, yards, and kitchens of Edna’s and Bonita’s houses. Other settings are Edna’s basement, a campsite, a meeting room, a tough neighborhood, a church, and a school hallway. These can easily be suggested with lighting or a few moveable small set pieces. The time period of this play is critical to the story, so the costumes need to be early 1960s American clothing- mostly casual and inexpensive-looking. Music Songs and singing occur throughout this production, providing mood, underscoring emotions and actions, and contextualizing the story in 1960s urban America. Much of the singing occurs with the records that the characters play; some singing is a capella. The script identifies the precise songs and provides lyrics within the text or in an appendix. Content Issues Much of the content and language of this play seems so innocent given the 20-plus years since its opening night and its setting of 50-plus years ago. Even so, it’s worth noting that the play deals with marital infidelity, racial discrimination (One of Edna’s lines mentions the â€Å"No Negro Kids Can Come in Our House Rule.), and the accidental drowning of Bonna’s brother. The language is relatively tame, but the dialogue does include the words   Ã¢â‚¬Å"ass,† â€Å"boodie,† â€Å"pimp,† â€Å"butt,† and the like. There is, however, no profanity. Lynda Barry also published this story as a 144-page novel with Edna as the narrator. If you would like to hear Lynda Barry talk about her life work, please visit Accessing the Imaginary. Here is a video trailer of a high school production of the play.

Issues in Money, Banking & Finance Essay Example | Topics and Well Written Essays - 2000 words

Issues in Money, Banking & Finance - Essay Example Some of the treatments that Japan has attempted in combating deflation are fiscal expansion, reduction of interest rates, depreciating the Yen, bank restructuring, two rounds of quantitative easing, and Abenomics. However, with the exception of the last measure whose effect is yet unclear, the situation has not changed much with a continuous economic recession reflected by its balance sheet (Botman et al, 2015: p32). This paper will explore the reasons why monetary and fiscal policy measures, as well as economic restructuring measures by Japan, have failed to end the deflationary pressures on its economy. As Japan’s consumption rate tax increased in 1997 followed by an economic recession and a deflationary spiral, Krugman (1999b: p1) stated that Japan had entered into a liquidity trap, in which the demand for currency was increasing dramatically, while resulting increases in the supply of currency failed to effect any changes in interest rates. This assertion was an extension of liquidity trap theory advanced by Keynes, where an economy’s general demand continues to decline despite a reduction of nominal interest rates to zero with production capability being higher than the general demand. Therefore, this definition would attribute Japan’s deflationary spiral to inadequate effective demand in relation to consumption and investment. Although Japan kept its interest rates low, this was still not enough to stimulate consumption and investment, while expansion of currency supply by the Bank of Japan was equally ineffective (Murota & Ono, 2012: p344). Krugman (1999c: p1) attributes this phenomenon to the fact that the Japanese public was more likely to save due to uncertainty about the country’s economic future, as well as fears that their income would reduce, despite having stable liquidity preference at the interest rates critical point. Therefore, the underlying factor driving this